The spectators gaze – The viewer (us) looking at the object (actor/actress in a film)
The intra-diegetic gaze – People looking at each other in a text
The look of the camera – works best in a scene where a character is on their own. The camera will, look up and down a character or focus on a body part
The direct address (or extra diegetic) to the viewer – the actor looks at us. It’s called breaking the fourth wall
What it does: It creates a relationship and tells us it (the film) isn’t real)
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